Elio is Pixar’s best, most beautifully brilliant movie in a decade. Too bad it will probably bomb
As a film, Elio is gorgeous. In short, it’s a somehow equal parts miraculous and original wonder — so good it feels a bit out of place among a summer of adaptations, remakes, sequels and remakes of adaptations of sequels. Perhaps not that last one. But it is hard to ignore the benefits of Elio: Pixar’s animation style (which seemed stuck in a […]